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comment丨tan xuren: the inheritance of humanistic spirit in taoyuan hometown

2024-09-29

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the inheritance of humanistic spirit in taoyuan hometown
——appreciation and review of the han opera short drama "peach blossoms are red everywhere"
text/tan xuren (hunan academy of arts)
the peach blossoms are in full bloom, the clouds and mist are shrouded, the stage is like a fairyland and a dreamland; the music is like a clear spring water, sometimes gentle and graceful, sometimes high-pitched and clear, pleasant and exciting; under the bright and lively performance of a group of girls in national costumes, the play begins in a hilarious and joyful scene. it seems to be telling people that something is about to happen here. indeed, this is the hometown of peach blossom land, and the tourism development conference will be held grandly here! in the play, tao si told everyone excitedly. "the peach blossoms are red everywhere" is a new modern han opera drama created by the taoyuan county han opera troupe in changde. it is a modern short drama with strong regional cultural characteristics and the flavor of contemporary life. it describes the current college students who voluntarily go to the countryside to use the thousand-year-old historical and cultural city of peach blossoms to accumulate and a glimpse of life in the new era of cultural tourism and investment integration to jointly build a new rural area.
the story is taken before a tourism development conference was to be held in taohuayuan’s hometown. tao si participated in the preparations for the tourism development conference with great interest. this morning, after he introduced the regional characteristics of taohuayuan live, he picked up a handbag on the way and thought it was the owner. when he xuehua found him, he happened to be looking down at the contents of the bag, which inevitably gave the owner a bad first impression of him. correspondingly, tao si returned the bag to the owner with some embarrassment. when he xuehua looked for her belongings, she found that the 20,000 yuan in cash was missing from her bag. she immediately thought that the person who had gone through the bag in front of her had stolen it. in desperation, tao si snatched the handbag from he xuehua. he thought that the owner had the wrong number of lost items, and it might be someone else who had been summoned by him when he was searching loudly for the owner. he thought that he was a man, but he was holding a women's bag. if he didn't do it well, he was afraid that someone would pretend to claim it. , protecting the property safety of the real owner became his obsession. this is obviously to portray tao si's integrity, and it is also inevitable for the development of the plot. there is a misunderstanding between the two.
this is a short play of three people. tao si, the owner of the b&b, is the main character in the play. the screenwriter uses the interweaving form of past tense and present tense to not only create the character of tao si, but also interpret the main idea of ​​the play. as the hometown of poetry, tao si was deeply influenced by chinese classical poetry, and from time to time he would recite a few lines of poetry to decorate himself. he is an extrovert, very enthusiastic and kind-hearted person, and he is also a person who follows fashion trends. he opened a b&b in taohuayuan and used live broadcasts every day to promote the culture, beauty and business characteristics of taohuayuan, and he had many fans. the first impression of tao si is that of a warm-hearted, cheerful and talkative person who likes to brag about a few minor flaws. as the storyline unfolds, the audience sees tao si's kindness, selfless dedication, and helpfulness, which are the excellent qualities of the chinese nation. charm.
the other two characters in the play are ding yimeng, a college student village official, and the other is an investor. tao si's ordinary act of kindness changed the fate of a young college student. as an aborigine, tao si saved her from a sudden illness during a stormy mountain patrol. deeply moved, ding yimeng recognized tao si as his adoptive father, took the initiative to settle down in the countryside, and devoted himself to the construction of a beautiful countryside. one is for me and i am for everyone. ding yimeng carries the symbolic characteristics of the inheritance of the chinese national spirit. he xuehua is a tourist and an investor. she is an important multiple symbol in the play. she has the wisdom of a businessman and the caution and negligence of a woman. she temporarily replaced her husband to invest in the local area. out of caution, she came alone a day in advance to conduct inspections. as a businessman who is used to carrying large amounts of cash when going out, she stayed in a small hotel at night. out of caution, she hid the cash under her pillow, but accidentally forgot to put it back in her handbag when she went out. this oversight directly led to a misunderstanding between her and the b&b owner tao si, and conflicts arose from this. it represents the embodiment of the humanistic spirit that is different from the integration of local culture and cultural tourism values, and is also a representative symbol of foreign businessmen under the economic wave. after all, no one’s money comes from strong winds. businessmen will consider whether there is a return on their investment, whether the investment environment is good, whether the corresponding policies are favorable, etc. the metaphorical meaning carried by the characters in the story is the driving force for plot development and a consideration of social values ​​for the current sustainable economic development.
the ontological narrative of this little play is not so much about rural revitalization or the integration of culture and tourism, but rather a play that celebrates the truth, goodness, beauty and positive energy of the new era. the play directly uses 20,000 yuan in cash as the core of the play to reflect the depths of people's hearts and the objective world. "tao gong's hometown is not a qin citizen. he clearly has a greedy heart." he xuehua, a businessman who came to invest and inspect, not only misunderstood tao si, but also had a negative impression of the moral values ​​of the people in this place. serious doubts. the screenwriter uses spring and autumn writing techniques to peel off the bamboo shoots and unravel the layers from other related events. through the deconstruction of the character tao si, he also uses one as ten, from here to there, to demonstrate the sincerity, kindness, kindness and beautiful humanistic spirit of the hometown of peach blossom spring.
the play proceeds layer by layer through the method of misunderstanding, and uses the word "gratitude" throughout the action lines of everyone in the play, naturally interpreting tao si's personality and world view. because of his kindness, he was moved by his character and stayed to take root in the countryside and revitalize the countryside. because of his kind deeds, the young man took the initiative to find the owner thousands of miles away, and then he had the further desire of foreign businessmen to invest in the local area... if it were just ding yimeng's gratitude, and it was about the virtues of tao si, it would seem that the pattern is too big. tao si's autobiography: "the old man's life was full of hardships. neighbors extended a helping hand and government relief funds were given. labor is the way to get rich, entrepreneurship and the village prosper. following the ancient teachings, we must be honest people." this is his gratitude. with the formation of values ​​rising to a higher level, the correlation and progressive relationship between gratitude directly points to the emotional direction of social harmony; in addition, the number of words sung by liao liao in this aria reflects the communist party's mission to seek happiness for the people in today's society. the original intention, harmonious society and local humanistic spirit are fully revealed. his singing is natural, smooth and affectionate. this drama seems to be about tao si, but in fact tao si is just a symbolic code. this symbolic code contains the humanistic and cultural spirit and inheritance of tao yuanming’s hometown. it is also the harmonious way for us to pursue a beautiful life. different temperaments and different experiences , the state achieved by three people, old, middle-aged and young, with different identities, expresses the desire for good and beauty, and is the embodiment of social harmonious values. the inheritance of virtue and spirit is the basis for building a harmonious home with materials, and is the ladder of progress of human society. although it is a cliché, it is of profound significance when placed in tao yuanming's hometown.
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