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Just after the Beginning of Autumn, when the summer clouds were about to dissipate but had not yet dispersed, leaders at all levels, eminent Buddhist monks, academic bigwigs and people from all walks of life gathered in Linyi, the ancient capital of Langya and the hometown of the Three Saints, for an academic feast.

On August 23, 2024, a symposium on "Calligraphy and the Sinicization of Buddhism" and a famous lecture event "Qilu Jueyin·Langya Asking Zen" were held in Linyi, hosted by the Shandong Buddhist Association and the Shandong Nationalities and Religions Research Association, and co-organized by the Linyi Buddhist Association, Linyi Puzhao Temple, and Yishui Longxing Temple.

The release ceremony of the newly collated "Ming Dynasty Langya Jiliu Stele"

On the morning of the 23rd, the release ceremony of the newly collated "Ming Dynasty Langya Jiliu Stele" was held at Wang Xizhi's former residence.

Sha Zhaowu, Deputy Director of the United Front Work Department of Linyi Municipal Committee and Director of the Municipal Ethnic and Religious Affairs Bureau, delivered a welcome speech

Mr. Liu Jiaji, former vice chairman of the Linyi CPPCC, chief consultant of the Linyi Wang Xizhi Research Association, and famous cultural and historical expert, talked about the origin and history of the Jiliu Stele.

The Ji Liu Stele, also known as the Yizhou Puzhao Temple Stele, is a famous stone carving work of the Jin Dynasty. This stele was erected by the chief monk of Puzhao Zen Temple, Miaoji Zen Master Juehai, when he was expanding and renovating the temple in the fourth year of the Jin Dynasty Huangtong (1144). The inscription "Yizhou Puzhao Zen Temple Construction Record" was written by Zhong Rushang, and the characters on the stele were collected from the calligraphy of Liu Gongquan, a famous calligrapher in the Tang Dynasty, and were carefully carved on the stone by the famous calligrapher Zhong Ruxi. This stele is called the "Ji Liu Stele" because it is carved with the characters of Liu Gongquan.

Unfortunately, the Jiliu Stele has been damaged many times in history. In the Tancheng earthquake in the seventh year of Emperor Kangxi's reign (1668), the stele was shattered and fell to the ground. Although it was later repaired, it was still incomplete. In addition, the Japanese invaders tried to steal this cultural relic but failed. Later, the Jiliu Stele was completely destroyed. The Jiliu Stele now standing in Puzhao Temple was copied by later generations after repeated comparisons with rubbings and careful carving. Although it is a replica, the charm of the willow bones is still there, which also proves the prosperity of Puzhao Temple and the prosperity and prosperity of Yizhou City in the past.

The publication of the newly edited "Ji Liu Stele" is of great significance for promoting calligraphy culture and promoting the sinicization of Buddhism.

The ribbon-cutting ceremony for the newly collated Ming Dynasty Langya Jiliu Stele

Master Weifa, the editor-in-chief of "Ming Dynasty Langya Jiliu Stele", donated books to Xue Juntang, director of Wang Xizhi's Former Residence Protection Center

The opening ceremony of the Institute of Calligraphy and Sinicization of Buddhism

Then, the Institute of Calligraphy and Sinicization of Buddhism was unveiled at Longxing Temple in Yishui. The establishment of the Institute of Calligraphy and Sinicization of Buddhism aims to deeply explore and study the integration and innovation of calligraphy art and Buddhist culture in the historical development of China, promote the inheritance and development of Sinicization of Buddhism and calligraphy art, and contribute to promoting cultural prosperity, enhancing national unity, and building a harmonious society.

He Fajiang, member of the Standing Committee of the Yishui County Party Committee of Linyi City and Minister of the United Front Work Department, mentioned in his speech that since ancient times, there have been many famous calligraphers in Yimeng and a long history of Buddhist culture. Longxing Temple is based on Buddhist characteristics, combines historical context, explores cultural heritage, and explores the path of Sinicization of Buddhism in line with the development of the new era with the inherent connection between Chinese calligraphy and Buddhist culture. It is hoped that this symposium will serve as an opportunity to establish a cooperation mechanism with major Buddhist temples and academic research institutions, strengthen academic exchanges, and promote the in-depth and practical practice of Sinicization of Buddhism in Yishui.

Master Weifa, abbot of Longxing Temple in Yishui, Linyi City, said that the establishment of the institute marks a new step for Buddhism in Linyi, and a brand-new platform, which has added a bold stroke to the picture of the sinicization of Buddhism. Looking back on the construction process of the institute, it is inseparable from the support and encouragement, help and support of leaders at all levels. Looking to the future, in the context of the new era, the institute will definitely actively participate in the great practice of the sinicization of Buddhism, play the role of a bridge and a link, and conduct in-depth excavation and inheritance of the excellent traditional Chinese culture, so that more people can understand and participate in this theme of the times.

The opening ceremony of the Institute of Calligraphy and Sinicization of Buddhism

Symposium on “Calligraphy and the Sinicization of Buddhism”

On the afternoon of the 23rd, a symposium on "Calligraphy and the Sinicization of Buddhism" was held at Yunshui Zen Garden.

Professor Chen Jian from the Center for Buddhist Studies at Shandong University delivered a keynote speech at the conference

Mr. Xu Zhonglin, Director of the Policy and Regulations Department of the Shandong Provincial Ethnic and Religious Affairs Commission and President of the Provincial Ethnic and Religious Studies Association, gave a speech

The conference received 11 papers and 13 speakers, with a warm atmosphere and significant results. Experts and scholars attending the conference said that calligraphy is an important part of Chinese culture, and that they should take this conference as an opportunity to continue to explore the calligraphy culture in Buddhism, enrich the profound connotation of the sinicization of Buddhism, and make positive contributions to the inheritance and promotion of China's excellent traditional culture.

Finally, Master Weifa, Deputy Secretary-General of the Shandong Buddhist Association, President of the Linyi Buddhist Association, and Abbot of Yishui Longxing Temple, delivered a speech of thanks.

The purpose of this symposium is to review the historical process of the Sinicization of Buddhism, summarize the experience and lessons, and look forward to the future development direction. In the new era, we will continue to uphold the fine tradition of "loving the country and religion, unity and progress", and actively devote ourselves to the great practice of the Sinicization of Buddhism. We will strengthen exchanges and cooperation with the Buddhist community at home and abroad with a more open attitude; promote the deep integration of Buddhist teachings and the core values ​​of socialism with a more pragmatic style; and explore the path of organic integration of Buddhist culture and modern society with a more innovative spirit.

"Qilu Jueyin·Langya Zen" famous lecture hall

After the symposium on “Calligraphy and the Sinicization of Buddhism”, a famous lecture entitled “Qilu Jueyin·Langya Asking Zen” was held, with Chen Jian from the Buddhist Research Center of Shandong University as the speaker.