the movie "wild child" premiered, wang junkai revealed that he conducted a lot of research to design the character
2024-09-12
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beijing news (reporter zhou huixiaowan) on september 11, the movie "wild child" held its "go home" beijing premiere. the film's director yin ruoxin, producer lv xu, actors wang junkai, deng jiajia, chen yongsheng, guan zixie, and chi xingkai appeared at the premiere, sharing many behind-the-scenes stories with the audience and talking about their creative insights. the pre-sale of the film has exceeded 30 million, and it will be officially released on september 13.
the beijing premiere of the movie "wild child".
the movie "wild child" is based on the real event of "wandering brothers", telling a touching story of a "thief" brother and an "orphan" brother protecting and redeeming each other in their wandering life. talking about the original intention of the creation, director yin ruoxin said, "the vitality of the wild child lies in shouting and running. i hope that children in social difficulties can be seen and more people can pay attention to their living conditions." producer lu xu said with emotion that as a filmmaker, he wanted to do something to help these children, and hoped that more "sunshine" could warm the children.
in the post-screening exchange, the shaping of the characters became the focus of the actors' discussion. wang junkai played ma liang with a wonderful performance. the contrasting image of "hunching over outsiders, avoiding eyes, and being meticulous to his younger brother" also left a deep impression on the audience. wang junkai revealed that regarding the design of the character, he had conducted a lot of data investigation, crew communication and character observation in the early stage, and incorporated his own thinking about the character. talking about the story of the "wandering brothers", he said that "i was moved by their mutual redemption, so ma liang finally chose to let himself welcome the light." deng jiajia reviewed the bits and pieces of playing the role of police officer zhou jiao, saying that this role was very challenging, and she also had in-depth exchanges and field trips with police officer zhou. in order to better fit the image of the police, he began to learn fighting before filming, hoping to improve his spirit. chen yongsheng shared that the "da mao" he played was a very contradictory person. unlike ma hu in "in the octagonal cage", da mao, who had been growing wildly, had no choice. he could only use extreme methods as his protective color to cover up his inner sensitivity and fragility. guan zixie, who plays the beloved younger brother xuanxuan in the film, generously shared his novel experience of filming on the spot. when talking about his first impression of acting with wang junkai, he said frankly that he felt very familiar with him as soon as they met, like a real brother. chi xingkai, who plays the mouse, who made the audience feel the most uncomfortable, revealed that he was also infected by the mouse's optimistic spirit.
at the premiere, many friends in the industry showed up to watch the film and praised the film from multiple angles, including roles, emotions, and intentions. officer zhou jiao, who was involved in the prototype incident, was moved to tears and choked up several times. he shared that he participated in the project because he wanted to use a different way to let the sun shine into the world of wild children. the cctv "news investigation" column team that reported the prototype incident also came to watch the film. zhang jingya, the director of the "de facto orphans" program, gave a speech as a representative, "as a media person, i am very happy to see rational news being made into vivid film and television works. pass the baton and let the public's attention to wild children continue." the prototype news reporter chai lu also believes that the movie once again allows everyone to review the story of a pair of brothers redeeming each other, and also allows more people to pay attention to such children in social difficulties, which is very meaningful.
editor: xu meilin
proofread by chen diyan
