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i really like jeon do-yeon, because she is not that beautiful, but "you and me" and "happy to die" are really sweet and salty. in particular, lee chang-dong's "secret sunshine" made her the first korean actress to win the cannes film festival. the last time an asian actress won this honor was when her french husband created "clean" for maggie cheung.

last year, jeon do-yeon made a movie called killing bok-soon on netflix. jeon do-yeon became a female killer, killing people to teach her son. while working, she also had to teach her daughter how to be a good person. she had a dual personality. but that movie, whether it was cruel or cool, it was hard to successfully establish herself among the global female killers. you know the reason why she is different is because she is an east asian mother. although it seems pedantic and hot to keep saying "east asian education", it is useless to bring in sol kyung-gu, and it is useless to let hwang jung-min die at the beginning. it is just a fan movie, and the killing spree in the restaurant is actually not exciting at all.

but is this thing addictive? the latest hot topic has become "revolver". do you think this is worthy of being called a revenge movie? in all the movie lists related to korean movies, bong joon-ho with "parasite", lee chang-dong with a burning heart, and park chan-wook with a vengeful heart definitely occupy most of the list. korean movies also produce the strongest revenge female man, various gimmicks of villains and ballet dancing, as well as kim bok-nam and the deserted island covered in cold sweat, which makes lee young-ae's "sympathy for lady vengeance" pale in comparison.

there is no way. park chan-wook has already taken korean revenge movies to a precipice. it is not an exaggeration to say that the "revenge trilogy" has already made the groans of humanity soar to a high pitch. choi min-sik will not be remembered for the battle of myeongryang or the devil has been seen. for now, it may still be oldboy.

but what is jeon do-yeon doing? she is a police officer who took the blame, but was cheated. she wanted nothing more than to get back her 700 million won and a house. "revolver" is a road, a token of emotion left by lee jung-jae. moreover, lee jung-jae, who plays with jeon do-yeon in the movie, can refer to gong yoo, who plays with tang wei in "dreamland". he said he was just here to make a cameo appearance, but in fact, his family had no intention of cooking. there is not a single ruthless villain. in the end, jeon do-yeon was blocked by a baseball thug hired by "iou". can you imagine that in the climax of a revenge movie, the villain does not even have a revolver, but only a disabled fool and a wheelchair. so the goddess of revenge, jeon do-yeon, only had a nunchaku throughout the whole process.

the most cruel thing about jeon do-yeon is the flashy dress; the funniest part of the whole film is the pun title of this review. revenge movies have given birth to literary revenge, which is the counterpart of revenge by force. it is pure chat, and there is no highlight "piercing intestines" yet!

this may be the cleanest revenge movie i have ever seen in my life, just like "initial d" may be the cleanest racing movie i have ever seen in my life. jeon do-yeon and a chivalrous little girl gathered everyone one by one, and everyone was in low spirits, and it seemed that there was no big problem. it is said that 700 million won is only a "considerable" fortune in south korea. so it doesn't seem to be to the point of bloodshed, then what do you call it "revolver"? to be honest, the script is most likely created by ai, and the movie may indeed be about money laundering, otherwise, why can't the "considerable" wealth be considerable. it is exactly:

the revolver doesn't spin, lee jung-jae doesn't have time.

700 million won is not a lot of money, after all, the heroine is jeon do-yeon.

she doesn't want to feel good about revenge, she just has thoughts about her old love.

if there is no crime and punishment for the crime, what’s the point of putting together a movie?

(jiang nannan)