mm threesome｜another "southeast asia" is popular
2024-08-29
한어Русский языкEnglishFrançaisIndonesianSanskrit日本語DeutschPortuguêsΕλληνικάespañolItalianoSuomalainenLatina
the "southeast asian universe" brings a rich film and television experience. the hit drama "border water past" in youku white night theater breaks the familiar drug-trafficking scenes and telecommunications fraud plots, and takes the audience into an intricate border world full of unknown dangers and mystery.
southeast asia's wind blows into the tv circle
the male protagonist is shen xing. "border water past" is a documentary work by the author shen xingxing. it takes the protagonist's experience in the golden triangle as the main line, showing a world full of violence, illegal transactions and complex human nature. shen xingxing has not received traditional writing training, but can use authentic language to restore the world in his eyes.
"bormor is popular, i declare that it will be my second foreign language from now on, who is in favor and who is against?" there are precedents for creating a new language for a film or tv work. in 1984, linguist mark okron created the alien language "klingon" in "star trek". before everyone greets each other, they will pat their left chest and make a fist, and say "qapla", which means "good luck". the chakobotha language in "dune", the valyrian language and the dothraki language in "game of thrones" were also created by specialized linguists. in film and television production, self-made languages have become a key link in shaping the civilization of the virtual world in the play.
the customs and mystery of southeast asia are not a panacea to attract audiences. simply exaggerating the "atmosphere" of foreign lands will also make the story fall into the rut of seeking novelty, and fail to resonate with audiences by reflecting social reality. in the end, it is the language code of the film and television works themselves that unlocks the hearts of the audience. zhang nan
caught by the wonders of the region
although there is a certain urban stereotype that a certain city or area is particularly suitable for shooting a certain type of film and television drama, it must be said that regional temperament is indeed a very mysterious existence. if you want to tell the story of modern urban men and women, beijing and shanghai are the best background boards. if you want to uncover decades of past events, the snowy northeast can make the whole story more textured. if you want to tell a crime adventure story, the interweaving of border towns and southeast asian customs brings a unique temperament to the series.
the key to the regional wonder formed by the southeast asian style and the border town type is to fictionalize a wild and rough living environment. on the one hand, this almost "no man's land" environment has become a natural hotbed for crime, providing feasibility and rationality for the crime, adventure, and escape experienced by the protagonist in the plot setting. "border water past", "all or nothing", "vanished girl", "manslaughter" and other films have tacitly transplanted crime stories into a fictional and wild southeast asian style, with tall banana leaves, dilapidated buildings and wires entangled like spider webs, jungles that cannot be penetrated by the scorching sun, sticky air and humid soil that make it difficult to breathe... these landscape symbols bring an extremely strong and vivid visual experience to the audience. after all, film and television dramas are visual art. the aesthetic experience brought by the southeast asian regional wonders adds suspense to the charm. this may be why suspense crime films are so fond of southeast asian style. shen zhao
the next southeast asia may be coming soon
"silent killing" has taken the lead in the summer season with its "school bullying", "bloody violence" and "high-energy reversal". director ke wenli has also directed the movie "manslaughter" and the suspense drama "detective chinatown". interestingly, the stories of these films and tv series all take place in southeast asia. "southeast asian scenes" have become the preferred scenes for suspense crime themes.
in fact, it is not difficult to understand. southeast asia has relatively unique natural and cultural wonders, colorful costumes, temples, slightly shabby streets, roadside palm trees, etc., all of which bring a different exotic style. in addition, it is humid and hot, and it rains frequently. with the help of light and color design, it is easy to render a charming, blurred and confused special atmosphere, which is just what suspense, reasoning and crime themes need. in the movie "gone girl", the orange tropical venomous snake twisted and coiled on the branches, which is a signal of beauty, danger and attraction. in the movie "manslaughter", the flashing light on li weijie's face when he put down the phone is a sign of tension, unknown and crime.
for the audience, the "southeast asia" setting also has a multiplier effect. the fresh exotic scenery and the suspenseful and tense plot will make them unconsciously mobilize all their senses to actively explore the story, and gain double pleasure psychologically and visually. however, after seeing "southeast asia" in too many film and television dramas, the novelty is gone. perhaps the next "southeast asia" may be on the way. kong xiaoping
proofread by tao shangong
