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Su Shi once praised Mi Fu: "Mi's calligraphy is extraordinary and magical... The wind-blown sails and the galloping horses are calm and refreshing. It should be on par with Zhong and Wang, and he is not worthy of it." As we all know, Mi Fu's calligraphy is extremely individual. His characters are strange, bold, free and varied. Even a layman can recognize his works at a glance, and he is deeply loved by modern people.

Moreover, according to the literature, Mi Fu's imitation of "Wang's calligraphy" reached the level of being indistinguishable from the real thing, and he was known as Wang Xizhi's "chief disciple". It is no exaggeration to say thatHis position in the calligraphy world can be ranked among the top 3，Such glory and strength are unmatched in the 2,000 years of calligraphy history.。

However, many scholars in later generations expressed doubts and confusion about his outstanding achievements. This is because in the late Tang Dynasty, due to the influence of war, most of the authentic works of the Jin and Tang dynasties disappeared, and the brushwork was almost discontinued. There was no one to carry out "oral and hand-taught", and there were very few models to learn from. So how did Mi Fu inherit the techniques of the "Two Wangs" and surpass those of the Tang people?

This has to be mentioned.His unique skills: two "treasure-level" calligraphy works, namely "Song Dynasty Baojinzhai Calligraphy Collection" and "Song Dynasty Songguitang Calligraphy Collection". "Baojinzhai" is the name of Mi Fu's studio, which houses three authentic works of Wei and Jin dynasties.

In 1101 AD, Cai Jing passed the paper copies of Wang Xizhi's "Wang Lue Tie", Wang Xianzhi's "Twelve Months Tie" and Xie An's "August 5th Tie" to Mi Fu for safekeeping. He cherished the three original works very much and observed and studied them day and night.

It was later engraved on a stone tablet, but unfortunately the ink was destroyed. Ge Youzhi re-engraved it based on the rubbings before the fire. Cao Zhige of the Southern Song Dynasty spent 15 years collecting old stones and added Jin Dynasty calligraphy and Mi Fu's works to his family collection to assemble this work.

As for the Songguitang Calligraphy Collection, it was compiled and published by the great-grandson Mi Ju, who sorted out and published the calligraphy works of Wang Xizhi, Xie An, Mi Fu, Mi Youren and others that were hidden in the family.Qi Gong praised these two masterpieces and believed that they were comparable to the Chunhua Pavilion。

Through Mi Fu's works from different periods in the volume, we can clearly perceive the changes in his calligraphy style. For example, his early "Poem of Knowing Destiny" tends to be clever and elegant, with rich and rich ink color, and not a strong sense of solemnity. However, his later "Purple Gold Research Paper" and others are mature, slanted, heavy, vigorous and fast, and very free and unrestrained.

Baojinzhai and Songguitang are vast in content and rich in techniques, including many famous works by the "Two Wangs" and Mi Fu.Each calligraphy piece is authentic and reliable, restoring the orthodox ancient calligraphy styleThe most exquisite Song Dynasty rubbings are currently all stored in the Palace Museum in Beijing and are prohibited from being circulated outside. They can be regarded as the "secret treasures" of the museum.

The whole volume is neatly printed with clear characters, without any damage or blur.The details are clearly visible. By copying them frequently, you can gradually move from Mi Fu's early works to his later years and the Wei and Jin dynasties, thus achieving a step-by-step learning process.

In this way, you can master the most precise techniques of the ancients, improve the flexibility and diversity of the font, write with the beauty of flying, refreshing, unrestrained and elegant, and fully display the artistic atmosphere of calligraphy. If you can learn them, you will be a contemporary "calligraphy saint".

Now, we have made 1:1 ultra-high-definition reproductions of the two calligraphy works, "Song Tuo Baojinzhai Calligraphy" and "Song Tuo Songguitang Calligraphy", using museum-level, 12-color micro-spray reproduction technology.This productSoHand-framed sutras, using folding design, easy to copy and find.

Modern Chinese characters are added to the whole volume to help beginners read.This workMarketExtremelyRare, one of a kindIt is more restored and delicate than ordinary prints. The details such as ink color, brushstroke changes, etc. are all clearly visible, and it is exactly the same as the original. Seeing this product is like seeing the original. If you like it, you can click on the product link below to take a look.

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