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Each of us has our own story, and so do the characters. So it's not about what we want the characters to become, but about respecting the paths that the characters choose for themselves.

I like"Sauvignon Blanc"This work is probably because each of the four protagonists has some problems. Isn't it good for people to be a little selfish? Why do they have to live so hard for their country and the world like their predecessors? In my opinion, the younger generation in "Longing" are the ones who live the most clearly and freely. People may have made mistakes in their lives, and may have made people around them very sad, but so what? Let it go if you can forgive it, and draw a clear line for what you cannot forgive. In the final analysis, you should first make yourself live comfortably and freely.

The drama version transferred the murder of Tu Shanjing to Chen Rong Xinyue. Obviously, it was because the male protagonist took the initiative to kill people and the case could not pass the trial.The drama version largely restored the process of the brother and sister killing each other in the original novel through illusions. In fact, it was the screenwriter's last stubbornness. Otherwise, wouldn't the original plot have been covered up by the content of the blame?

Did Chen Rong and Xin Yue have any reason to kill Xiao Yao and Jing? In fact, the logic is correct.If she just wanted to stop Yaoxuan from being together, then it would be enough to encourage Yaojing to run away. But what if she also wanted to take revenge on Xiaoxuan? Then it would not be enough to just let Xiaoxuan see Yaojing happy. She wanted Xiaoyao to die, so that Xiaoxuan's dream would be shattered, and he would not even have the chance to dream of marrying Xiaoyao one day. Based on this logic, it is not difficult to understand why Chenrong Xinyue and Tushanhou joined forces to get what they wanted.

It is indeed impossible for Chen Rong Xinyue to train death warriors on her own, but if this is a life-saving card given to her by her family, then it is completely reasonable, because this group of death warriors may have been prepared before Xuan ascended the throne, and a group of them were sent to follow Xinyue after she got married, so Chishui Fenglong in the play immediately saw the origin of the killer.

The biggest problem with the presentation of this plot is that actors Chen Rong and Xin Yue have limited acting skills. In the "Three Queens Coexisting" segment, they did not show any hatred towards Xuan personally, which led to a lack of motivation in advancing the plot.

I have to admit that the illusion did change the subsequent situation of Yaoxuan's line. Yaoxuan is still the same Yaoxuan, but because the external environment has changed, the nodes of choice have changed, and the relationships between people have changed, the direction of events naturally deviates significantly from the original content.

The only obstacle that Xiaoyao couldn't get over was that Xiaoyao killed Tushan Jing. If Xiaoyao moved, Xiaoyao would never be able to go back to the past. So in the original novel, after Tushan Jing returned, he took the initiative to communicate with Xiaoyao. It was Tushan Jing's indifference that tried to repair the rift between Xiaoyao and Xiaoyao. This is also the turning point that is completely different between the TV version and the book version.

In the drama, Xuan also wanted to kill Tu Shan Jing, so the illusion of karma tea gave Xuan Xuan the direction to kill Jing. After waking up from the dream, Xuan Xuan initially wanted to refute it, but when the grandfather asked "Did you feel happy after Tu Shan Jing died", Xuan Xuan's response was that there was no way to refute it.

The illusion has a great impact on the mentality of Xuan Xuan. Because Xuan Xuan did it for real in the original novel, so when he encountered something that hurt Xiao Yao again, he had the courage to break the jar. But because it was an illusion in the drama, it increased Xuan Xuan's fear, so Xuan Xuan in the drama version did not dare to force Xiao Yao too much, especially when Xiao Yao said the same words in the illusion, Xuan Xuan's reaction was really pain + panic.

The second turning point was the death of Feng Long.In the novel, because Xinyue only killed Xiaoyao, Xiaoyao asked for forgiveness, and Xuanxuan's promise came naturally. In the drama, Xinyue also killed Jing, so Xiaoyao didn't say a word when Fenglong pleaded for mercy. In the drama, Xuanxuan had an obvious pause and turned his head back. He was waiting for Xiaoyao to make a decision first. It was because he couldn't wait for Xiaoyao to express his opinion and Fenglong was about to die, so Xuanxuan made a promise in one breath. This long string of words was a serious oath from the king, but in fact, Xuanxuan wanted time to pass quickly because he was afraid that he would regret it when he had a chance to catch his breath. When Xuanxuan decided to agree to Fenglong's request, he knew that he had taken the initiative to push Xiaoyao away.

In the finale at Phoenix Forest, Xuan said that he chose power over Xiaoyao. This statement is absolutely correct, because he did choose the former between "stabilizing the Central Plains" and "Xiaoyao's personal vendetta".Although Xuan agreed to Fenglong, Xiaoyao had not let this matter pass. When Xuan went out to fight, she wanted to take the opportunity to deal with Xinyue, but her subordinates suddenly proposed to investigate the traitor, so Xiaoyao temporarily decided to deal with the relationship with Xiangliu first. Then she fainted and was taken to Yushan, so there was no condition to assassinate Chen Rong and Xinyue. Then Tu Shanjing returned.

In the original novel, the only part of the story about Fenglong's death is the shock of Yuxuan when he learned that Tushan Jing supported him, and he ordered the people to be killed. The mistake had been made, so he could only move forward. So there was guilt, but it was impossible for a king to really regret it. The situation in the drama version is completely different. First, Yuxuan took the initiative to give up Xiaoyao, and then Yuxuan learned about Tushan Jing's ability and help to himself. He didn't kill Tushan Jing, so he didn't have to suppress the guilt and move forward. So in the drama version, Yuxuan's guilt after realizing it was magnified, so he would send more people to search and rescue Tushan Jing, which was not only to save the belated friendship between the monarch and the minister, but also to make up for his debt to Xiaoyao by satisfying Xiaoyao's greatest wish (promising Fenglong to protect Chen Rong Xinyue so that Xiaoyao could not take revenge). In the end, it was indeed Yuxuan who received the news of Li Rong's dog and sent Tushan Jing to Yushan in time.

There is no hatred between Yaoxuan and Hyunjing in the drama version, and there is no hatred between Yaoxuan and Hyunjing, so Yaoxuan's mentality in the later period of the drama is much calmer than in the original work.In the original novel, Xuan was forced to withdraw, so his condition for compromise was to let Xiaoyao marry with Ruomuhua. After all, those who are unwilling to give in have to leave a trace. I am not happy, but I have to make things difficult for you. In the drama, Xuan confessed his feelings, but this confession was just a secret in his heart, which was to satisfy his cousin's little selfishness, but because it was honest enough, it had more of a farewell meaning. Xuan gave Ruomuhua to Xiaoyao, not only to his beloved girl, but also to a faction, which was a dowry that matched the identity of a princess. After all, the drama version of Xuan sincerely wished Xiaoyao to get married, let Xiaoyao go, and let himself go.

Life is beautiful. I really like the trend adjustment made by the TV series to adapt to the conditions of the adaptation. Just like in the fantasy, although the fight between Yaoxuan and Yaoxuan was fierce, they still maintained the purity and purity when recalling the past. There is not only one way in the world to seek but not get and fall into self-destruction. I am willing to respect the choice of Yaoxuan in the TV series.