movie and tv bump hu | we need the determination to leave
2024-09-25
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text | hu xueyi
once upon a time, the reason for resigning from a job, "the world is so big, i want to see it" became the personality label of countless people. however, how many people can really leave as soon as they want, just like the master of their own life?
the pictures in this article are all from the internet.
the recently released movie "determination to run away" more or less truly reflects the women trapped by various factors such as life, work, family, etc. what we need is the ending of the heroine li hong in the film, a determination to run away and a turn to embark on the road to find herself.
frustration and endurance were the main themes of li hong's first half of life. she was forced to give up the college entrance examination and wait for her younger brother to grow up; she left her family and waited to get married and start a family; she quietly took care of the housework and waited for her children to grow up. throughout her life, she was always trapped by other people's life trajectories, which led to her "losing" her own path. "wait a little longer! make way for me!" these words pulled li hong back into the cage every time she decided to leave, confining her to family matters.
she is a daughter, sister, wife, mother, grandmother, but not li hong herself. her efforts in managing marriage, maintaining family, and raising children were almost ignored and denied. even her daughter, who felt the same pain, tried to stop her mother from leaving. although the existence of the husband in the movie is suspected of being a tool to deliberately deepen the contradiction, the scary thing is that those words and behaviors that hate and discipline women are not unfamiliar. some netizens even commented that "the movie is still too conservative."
we finally realized that this was a complete mental violence against countless women. the father's arbitrary authority and the husband's impotent rage became the shadow of li hong's life. and this violence has never stopped. it's just that the mother compromised and "accepted" it, and the daughter struggled and awakened. fortunately, women's self-values continue to mature in the generational change.
after being diagnosed with moderate depression, li hong really began to save herself. on the way home from the hospital, she tried to run away for the first time and met a self-driving tour team. the scarf dropped by the wind was a signal of freedom to find oneself. she had already received it. in her 50s, an age when people in the secular world "should not toss around", li hong ignored the eyes of others and started to take a driver's license test, buy a car, and buy camping equipment... until another quarrel broke out, she "abandoned her husband and daughter" and ran away at night without saying goodbye.
freedom and bravery are the background of li hong's future. let the scenery outside the car window change constantly, li hong holds the steering wheel in the car and controls the direction of her life. tears may flash in her eyes when she looks ahead, but her confident eyes remain firm. wearing a red dress that seems inappropriate for her age, she attends a class reunion after years of absence, joins a car club alone, and opens a live broadcast room to promote her homemade chili sauce... under the golden mountain in the sun, on the boundless grassland, and in the vast snow, li hong cuts off all ties and is eager to "travel around the world and ride on the clouds", realizing her childhood wish by herself. these pictures make people feel that beauty is a verb, and she is blooming like a rose.
when the subtitle "based on a true story" appeared at the end of the movie, i felt relieved: great, it's a good ending. what's even more surprising is that the prototype su min appeared in the end credits and introduced her experiences on the road to the audience. great, she has been on the road to escape and lived out her true self.
