why is it always daolang who can cause a huge response in the market after every silence?
2024-09-16
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the news that "daolang is back and is a big hit again" swept the screen. on the evening of august 30, daolang's online concert "where mountain songs are played" was held in zizhong county, sichuan. daolang, who had not been seen for a long time, appeared in casual clothes. there was no extra opening, and he sang "the first snow of 2002", "punishment of impulse", "lover", "rakshasa sea city" and other representative works one after another. the live broadcast lasted more than three hours and more than 30 songs, attracting more than 52 million viewers and 640 million likes, breaking the live broadcast record set by jay chou.
with the hit song "the first snow of 2002", daolang "disappeared" from the public a few years later. it was not until the hit song "rakshasa sea city" that he returned to the public's attention. it is not surprising that his online concert has received such a sensation in less than a year. every time he "comes back", daolang is closely tied to his works. he does not need hype or deliberate marketing. he relies on music to speak and wins fans with his strength, which deeply interprets "returning is still a top star".
some people ask, why is it always daolang who can cause a huge response in the market after every silence? in fact, daolang's "silence" is just to stay away from the stage and avoid the spotlight. as an original singer, he always maintains his true colors and never stops exploring music and pursuing art. since 2012, daolang has been conceiving a trilogy of pop music about traditional chinese folk culture, "tanci huaben" and "shan ge liao zai" are two of them. in recent years, he has also released albums such as "everyone in the world" and "as i heard". every lyric is written by him personally, based on local culture, constantly innovating musical styles, and accumulating strength. for example, "raksha sea city" uses the backing mountain tune, "flower demon" uses the time tune, and "zhu er" uses hebei blowing songs... integrating national characteristics into the present, combining with electronic, rock and other music styles, showing a unique creative concept.
daolang's success in the music market is the choice of the audience. whether it is skills or artistic characteristics, the returning daolang can always surprise the audience and make the music industry boil. therefore, the popularity of "rakshasa haishi" is entirely due to the fact that it is a work created from the content end, combining pop music with traditional folk culture, without considering algorithms, which is completely different from the short video songs that cater to the current popularity. behind the launch of each album is the result of the author's creation and life, observing everything around him, and repeatedly carving and polishing the work. this online concert is a performance of creative achievements. as always, it continues daolang's high-quality music concept, "those real folk temperament sounds will be transformed into the 'mountain songs' of each era." 30 kinds of chinese and western musical instruments, more than 30 singers participated, and the team ran in for a whole month. the audience gave back their support and recognition for daolang with the most enthusiastic likes and reposts.
last december, daolang posted a video on his personal account announcing that he would temporarily stop updating. he said that in addition to completing the remaining album in the trilogy, he also planned to release two more albums. "i still need a lot of time to do field work, to accumulate and think... i still want to put pressure on myself, and hope that there will be more room for improvement." he is "dead-core" in music, just like an ascetic in the art world, walking alone but radiating light. the next time daolang is going to be popular again, we have already been mentally prepared.
(dazhong news reporter zhu ziyu)
