news

workers' daily published an article: let's have more serious "nonsense"

2024-09-15

한어Русский языкEnglishFrançaisIndonesianSanskrit日本語DeutschPortuguêsΕλληνικάespañolItalianoSuomalainenLatina

"amazing night of happiness" has come to an end. while we are reluctant to say goodbye to the happiness people, we are also more willing to review: why is this show so funny?

you know, laughter is too important and too scarce for people today.

it is important because people in real society have higher work standards and their lives cannot be monotonous, so stress is bound to increase. a hearty laugh is undoubtedly the best way to relieve stress.

it is rare because with the internet's widespread, fast, fragmented, and interactive communication, putting together a joke that exceeds most people's expectations is as difficult as comparing longevity with the south pole immortal, eating more meat than tigers, leopards, wolves, waking up earlier than a crowing rooster, and lagging behind the last one. however, even under such circumstances, "a wonderful night of pleasure" still received heartfelt praise from the knowledgeable and discerning netizens in front of the screen.

the biggest feature of "a wonderful night of xiren" is to be original and not to be clichéd. in these works that are presented one after another, it is rare to hear the familiar internet hot memes. most of the time, they are doing original design to form new internet hot memes. even if some of the plots in the classic works of the past are borrowed, they are all reprocessed, integrated and used independently. the most classic ones are the plots in "the world of sketches" such as "the big hammer is 80, the small hammer is 40", "i am proud", "some people pay for massages, some people pay for songs", etc. although they are all lines from some classic sketches, the xiren people deeply understand and respect the rule that "the more they spread, the less funny they are", and they do not rehash old rice or copy old memes. they use these old lines based on new ideas, paying tribute to the old works while also bringing new joy to people.

all the "wonderful night" shows we can see now use details to tell stories and plots, and gradually advance the plot within the scope that people can accept. it is not like some other comedy performances that use high-pitched but empty tones, exaggerated but unrealistic body movements, and distorted but emotionless faces to force values.

simply put, it is to make things funny in a way that ordinary people can accept, rather than using the creator's "overbearing" power to forcibly give meaning.

on the online platform, many skits of "a wonderful night of pleasure" have another version - the performance version. this performance version has no costumes, makeup, or props, just a black background and a few chairs. for example, this season's classic work "eighty-one difficulties" has been performed dozens of times according to the actors. at the most frustrating time, they were about to quit because the audience did not respond. the result of polishing is not to perform one by one. some works may not be broadcast even if they are performed, and they are cut to no frame left - just because the "laughing" effect is not good.

perhaps it is precisely because of the true and thorough respect for the audience that xiren's works appear smooth and natural.

the works of "amazing night" are also "value-added" and "sensational" - family, love, friendship, ideals, struggle, failure, determination, optimism, and perseverance can all be found in the works. but why did it not arouse people's doubts, disgust, or even bad reviews? i'm afraid it has something to do with the fact that it was adjusted and improved based on the audience's reactions before the official performance. many contents that made the audience feel uncomfortable were eliminated before the final presentation.

the success of "wonderful night" is probably inseparable from a team of young and energetic comedy talents that continue to develop. the most representative one is yan peilun, who was defeated in the leading role and successful in the supporting role in the previous two seasons. he finally walked from the edge of the stage to the center. liu yang also recovered from the previous two seasons of being unable to find his form. this time, he won many honors such as best screenwriter and best work.

simply put, professionals follow professional rules to handle current professional matters and plan for the future development of their profession. behind this is the serious efforts of a group of people, but what it brings to the audience is the surprise, surprise and amazement of "nonsense".

there could indeed be more serious "nonsense" like this.