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Guan PuxueBorn in Weifang, Shandong in 1968, he graduated from the Fine Arts Department of Qufu Normal University with a bachelor's degree in 1989. In 1993, he studied at the Beijing Painting Academy and studied under Mr. Yan Zhenduo. In 1997, he graduated from the 8th Oil Painting Training Class of the Central Academy of Fine Arts and studied postgraduate courses.

In 1999, he won the bronze medal at the 9th National Art Exhibition. In 2003, he won the bronze medal at the 2nd National Painting Academy Exhibition and Shandong Oil Painting Exhibition. In 2005, he won the bronze medal at the 7th National Pastel and Watercolor Exhibition and the special prize at the Shandong Pastel and Watercolor Exhibition. In 2011, he won the Best Work Award at the Contemporary Oil Painting Exhibition in the Eyes of Artists. In 2014, he won the Excellence Award at the Visible Poetry - Chinese Oil Painting Landscape Exhibition.

Currently, he is a professor, graduate tutor, and director of the third oil painting studio at the School of Fine Arts of Shandong University of the Arts, a visiting professor at Shanghai Academy of Fine Arts, and a doctoral tutor at Dankook University in South Korea. He is a member of the Oil Painting Art Committee of the China Artists Association, a member of the China Artists Association, a member of the China Literary and Art Volunteer Association, deputy secretary-general, director, and deputy director of the Oil Painting Art Committee of the Shandong Artists Association, and vice chairman of the Shandong Oil Painting Society. He is a specially-appointed teacher of public education at the Shandong Art Museum and a specially-appointed teacher at the Shandong Cultural Center.

"Guan Puk-hsueh pays more attention to the composition of color blocks in his expression. The color blocks in the picture fluctuate greatly, and the contrast of tones sometimes tends to be extreme. He is also particularly vigorous in his brushwork, and conveys a heavy sense of space in the picture through multi-layered painting.

She is also more intuitive in her use of brushwork, and is particularly free and unrestrained in smearing, overlapping, and splashing, without any deliberate description or restrained shaping. In this sensual-driven expression, her works not only have visual spatial depth, but also strengthen the tension of the plane, and exude a free and unrestrained feeling of life.

Her individual expressive brushwork has formed her own style, reflecting her excellent ability to control the overall situation and arrange the structure and rhythm of the picture with formal language. On the basis of expressive language, she naturally turns the language with Western connotations to the Chinese freehand language, realizing the fusion of the "writing" of Chinese art and the "expressiveness" of Western painting, which shows a contemporary Chinese oil painter's concept of integrating Chinese and Western cultures. "

(Text/Fan Di’an, Chairman of the China Artists Association and President of the Central Academy of Fine Arts)

source:Oil Painting World (ID: ArtYouhua), please indicate the source when reprinting.

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