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After being rescued, he drifted on the sea with the heroine. Because he was seriously injured and exhausted, he was unable to accompany the heroine back, so he hugged the heroine and told her about his final affairs.

The plot ends with Ouyang Nana crying out the hero's name heartbreakingly.

Teacher, this is not right? Isn't this the ending of our protagonist's life?

Our Shen Zhiheng will not participate in this kind of activities in the future. The child used to be the hero of a romantic novel, but he ended up acting in a TV series and then died...

Obviously, both of them end at sea, but why does it feel like "Ice and Snow Ballad" is not a remake of "Ru Yue" but "Titanic"Woolen cloth?

The audience who were scared by the knife bought the show because of the happy ending in the original novel, but in the end, they were still stabbed.

However, the fact that the adaptation does not meet psychological expectations is only one aspect.

The quality of the adaptation is not very high, which is another important reason why the "BE" ending was criticized.

In order to create sad moments, the protagonists seemed to have been put under a spell by the screenwriter, becoming stupid and weak.

At the end of episode 23, the heroine also said: "From now on, no matter day or night, we will not separate."

Less than five minutes into the plot, at the beginning of episode 24, the heroine went back to her ancestral home alone.

As for why the heroine didn't want anyone to accompany her, and the hero didn't worry about her safety at all and let her go alone?

Because this makes it easier for the villain to capture the heroine!

I am not saying that the heroine can only be tied to the hero's belt as a human pendant, but normal people know that when the situation is not peaceful, they should try not to go out alone, right?

You two have been captured and escaped death so many times. Don’t you have a good memory?

What's even more ridiculous is that in the play, several factions fought each other and several generations fought to the death for the mysterious treasure "Blood Amber Stone".

It was not tucked in or hidden, nor was there any protection, it was just hung around the heroine's neck.

Of course, it was snatched away by the villain leader, which greatly increased his fighting power and became the main reason why the hero's energy was dissipated and he could not survive.

Oh, it turns out that this blood amber stone is the lifeblood of the protagonists. It was placed so casually that I thought it was the key to someone's cellar where pickle jars are stored.

The calm and wise male protagonist who has lived and thrived for more than a hundred years deserves to be killed in such a mess if he can't even take this risk into account.

In addition, the heroine also relies on the energy of the blood amber stone to sustain her life. Why is the hero unable to survive without the stone, but the heroine is fine?

Moreover, the male protagonist also obtained the energy of another "Xuan Yang Stone" in the last episode. According to the setting, the effect of this stone should be the most powerful, so why did it not work after the male protagonist only used it once to perform a big move?

TheseIt ended without any clear explanation.。

In short, everything must give way to the achievement of be——

Common sense can be discarded, logic can be incomplete, and settings can be contradictory.

It is not unfair for "Ice and Snow Ballad" to be labeled as "ugly".

Fortunately, after watching TV for so many years, we have all been shocked by similar endings and will soon get used to it.

Just take Li Muge, the director of "Ice and Snow Ballad", as an example, he is a habitual offender of "be ugly studies".

Director Li's 21-year work "Sito" has a 30-episode drama in which the male and female protagonists fight for 30 episodes.

In the last episode, the hero first saved the heroine, and then he became a vegetable and lay in bed for fifteen years. He also caused the heroine to lose her memory. During this period, the heroine lived a normal life.

Then the heroine regained her memory, recalled the past, and was willing to die for the hero.

In the finale, one of them turned into a tree and the other turned into a vine.

The last shot of the male and female protagonists of this drama

If this is the only ending they wanted, then why did the two people go through so much trouble to survive?

I don't know, but it's this sad and fatalistic feeling of trying to get something for nothing.

The TV series is so miserable. Is this also the plot direction of the original novel of "Sito"?

Of course not. In the original book, the two of them stayed together in the end, and not in the form of plants.

The good reputation accumulated in the early stage of the series was severely dragged down by the later plot. The absurd ending of returning to nature was criticized by the audience. The current Douban score has dropped to 6.9.

But it is useless for the audience to scold him, as Director Li is still moving forward courageously on the road of "be ugly studies".

The following year, he brought a new work,Who is the hero?》。

The three brothers in the Jianghu who were deeply in love and righteous in the plot ended up killing each other.

at lastSecond brother Bai ChoufeiJumped off the building↓

Big Brother Su MengzhenLet his military advisor kill him↓

Of course, the third brother was not idle either.

He cremated these two "brothers" who had a blood feud with each other when they were alive together, achieving a kind of reconciliation in the physical sense.

If they had known that they would be buried together after going offline, they probably wouldn't have been so determined to die.

Now, all the grudges and love-hate relationships in the martial arts world seem like trivial trifles, and everyone is obeying the principle of "everyone is gone" and the muddy principle.

Lei Chun, who had originally been engaged to Su Mengzhen, also committed suicide for love. A blackened career-god who endured humiliation and hardship, ended up as a fragile love-brained man.

Three main characters died in just over ten minutes. The narrative rhythm of domestic dramas has never been so tight.

After reviewing Director Li’s “be Ugly Studies” trilogy, I discovered that this is just the tip of the iceberg.

Throughout history, both in China and abroad, there are countless ways to achieve "be", so ugly that there are so many schools of thought and so many different kinds of ugliness.

The original novel has a happy ending, but at the end of the drama version, both male and female protagonists died in battle, and it was discovered that the source of the 10,000-year-long war in the whole drama was just a misunderstanding.

There are scriptwriters who start a big group wipeout, and the protagonists scramble to eat their lunch boxes.

In the early stage, the chivalrous woman, who was aloof, free-spirited and tenacious, and who only disliked men who slowed down her sword-drawing speed, was willing to die for love in order to achieve BE.

Stills from the finale of "A Thought Across the Mountains"

In order to be the heroine, he died of cancer. The hero and the villain engaged in a power struggle for 16 episodes, and in the last ten minutes, he chose the simplest and stupid method of poisoning the villain with his real name, causing him to die hastily.

Stills from the finale of the Korean drama "Lawyer"

In the early part, the male and female protagonists understood and supported each other, but in the last few episodes, they inexplicably became estranged. They obviously still loved each other but just refused to communicate or resolve the problem, and had to break up in tears.

Stills from the finale of the Korean drama "Twenty-Five Twenty-One"

Although these be are ugly in various ways, they still have one thing in common -

They didn't suddenly turn ugly in the finale, but started off strong and then gradually collapsed.

As the subsequent plot becomes increasingly boring and powerless, and seeing that Yuan is not coming back, the only option is to create dramatic effects by starting to abuse the characters, attempting to cover up the plot flaws with a strong sense of conflict.

If you don’t know how to develop a character, he will be offline; if you don’t know how to continue a relationship, it will break up.

Screenwriter teacher, I am familiar with your job!

When I was in elementary school and was exhausted from doing my summer homework, I also liked to tear up the unfinished homework books.

so,Being is not a sin, being ugly is.

The couple I support can stay together until old age, can go to hell together, can be separated by the Yin and Yang, can never meet each other, and can turn love into hate.

But it cannot be boring, absurd, or anti-intellectual.

This time, "Ice and Snow Ballad" has caused public outrage again, and the film company wants to come out to calm the emotions.

First, the screenwriter wrote a he-version extra story and posted it on his personal Weibo.

Still taking in the heartbroken audience in the comment section,

Then the director who was scolded by the whole network also came out and said that he would do a blatant happy ending next time.

The implication is that "Ice and Snow Ballad" is actually also a vaguely happy ending.

I'm too lazy to complain about how forced this explanation is.

Because their approach is ineffective in the first place.

The audience was angered by the ending of "Ice and Snow Ballad" not only because their CP was not complete,

More importantly, everyone felt that the production team was perfunctory in their creation of the drama.

The drama market is flooded with the art of being ugly because drama producers rely on assembly-line productions to make money.

So I put all my efforts into polishing the plot, character design and world view of the first few episodes.

The purpose is to attract investment and business, and to attract audiences and build momentum as soon as possible after the series is aired.

The hook is planted, and first lure the audience in.

The script was written carelessly in the middle and late stages, what should I do with the ending?

The most brainless method is to force the cruelty. After all, a plot with heavy casualties is very convenient for creating topics and increasing traffic for the finale of the series.

andThe audience's drama-chasing experience is not the creator's priority consideration.

Then you deserve to be scolded!

After all, industrial saccharine dramas produced on an assembly line are at least easy to identify, and you won’t waste your emotions if you don’t have too high expectations;

But the "be ugly school" that deceives the audience until the end and then reveals its true colors in an ugly way is really an assassin that is hard to guard against when following the drama.