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Beijing News (Reporter Zhou Huixiaowan) On July 22, the movie "Decryption" released a "Dream Making" production special and a "Dreamland" version of the standard series posters, and officially announced that it will be screened for a limited time on July 25, 27, and 28. The "Dream Making" production special shows the main creative team's self-transcendence from the two main dimensions of picture and sound, and the process of working together to create dreams using advanced film industry technology. A total of 9 "Dreamland" version series posters were released at the same time, including IMAX, CINITY, China Giant Screen, Dolby Cinema, WANOS, DTS:X, 4DX, D-BOX, and LUXE. These 9 special effects formats all show the magnificent dream scenes in the movie, with extremely imaginative imagination and immersive audio-visual impact.

How to create a dream is the difficulty in creating the movie "Decryption".

The film is based on the novel of the same name by Mao Dun Literature Prize winner Mai Jia, written and directed by Chen Sicheng, starring Liu Haoran and John Cusack, with special appearances by Chen Daoming, Daniel Wu, and Yu Feihong, and starring Ren Luyao, Chen Yuxi, Wang Yutian, Zhou You, and Zhu Zhu. The film was shot entirely in IMAX. The movie "Decryption" is now on pre-sale and will be released nationwide on August 3.

How to create a dream is the difficulty in the creation of the movie "Decryption". It requires all the main creators to work together to create a new type. Every department must surpass themselves to achieve a real "dream-making" inside and outside the movie. Art director Han Zhong pointed out that the presentation of dreams requires a strong aesthetic, and the elements in dreams are even more part of the drama. Co-art director Ma Xiaofei summarized it as "dream feeling". The production special shows the shooting process of the red beach dream scene. The whole scene took 90 days from production to shooting.

The preview opens with a poster that demonstrates the dream world and requires a strong aesthetic.

Not only did the art and props teams spend a month producing 105 tons of specially dyed and cured red sand, and using a wave-making machine to repeatedly test the interaction between waves and red sand, the photography team also worked with Nam Kwong to develop a giant lighting stand, using 75 LED lights to form a lighting array to achieve the sunset effect the director wanted.

Director of photography Cao Yu said that the challenge of the photography work of "Decryption" lies in balancing dreams and reality. For this reason, he and the photography team chose "the most suitable tool for expressing dreams": Alexa65 IMAX camera with ARRI DNA lens, creating a real and dreamy picture texture for the audience. Ten dreams run through the entire film. Visual effects director Wei Ming also explained the difficulty of visual effects work from the production volume and content richness of visual effects work. The production process of visual effects shots shown in the making of the special is amazing.

In addition, director Chen Sicheng also has very high requirements for the music of "Decoded". Not only did he spend a lot of money to purchase the first authorization of the Beatles' works in Asia, and incorporated the classic anti-war song "I Am the Walrus" into Rong Jinzhen's dream, but he also invited famous composers Lorne Balfe and Kevin Ripple to compose and produce the soundtrack. It is believed that the soundtrack of the movie "Decoded", which was recorded by more than 100 musicians from all over the world, will definitely bring the audience a top-notch auditory feast.

Editor Wu Longzhen

Proofread by Liu Yue