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TTS New Media Paper Reading: Go to the music festival in summer!!! This is freedom and confrontation!!!

2024-07-19

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Moments in life!!

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"Moments" in life: Youth's embodied actions and the continuity of daily life at a rock music festival

✍ Text/ Zhu Shuyan

Learning framework + logic (⭐)

In recent years, rock music festivals have entered a stage of rapid market development in my country and have become a popular destination for young people. Existing studies on rock music festivals all regard them as a field completely separated from daily life. While emphasizing spatial changes, they almost ignore the totality of time and the fact that the subject of practice resides in daily life. This article continues the focus on the subject and daily life from the perspective of daily life, and attempts to transcend "resisting youth" and "consuming youth" and use "living youth" to examine their participation in rock music festivals. The study found that rock music festivals, as "moments" in daily life, provide young people with an open and flowing space and a place for collective physical practice and emotional resonance, and young people use rock music festivals creatively according to their own life situations. At the same time, as they migrate from the rock music festival context to the daily life context, young people will sensitively adjust their behavior patterns according to the specific rules of the daily life field and their own identity to maintain the continuity of daily life.

Second academic point of view (⭐⭐⭐⭐)

▪ 【Moment】

Lefebvre proposed the concept of "moment", which means "short and decisive" feelings, such as carnival, happiness, fear, etc. The moment is a complex and special time structure and practical process, which can only be understood and reflected through its opposite, that is, daily life - conversely, only in the moment can daily life be presented as a totality and be deeply understood.

▪ 【Situational identity】

The rules of rock festivals and daily life are substantially different, and individuals have different identities in different situations. This is the core meaning of "situational identity". For example, in daily work, you need to control your emotions to maintain a rational state, and you cannot vent your emotions just because your boss makes comments on your work; similarly, at a rock festival, you should maintain your physical vigilance and restraint in your daily life, and being angry at non-aggressive physical collisions with others will be regarded as "not understanding rock".

Three plus self-reflection (⭐⭐⭐)

❕ What is the significance of rock music festivals in the daily lives of young people?

❕ In what ways do rock music festivals help young people build their identity?

❕ When the rock festival ends and young people return to their daily lives, how will their self-identity continue?

Answer question corpus accumulation (⭐⭐⭐⭐)

▪ Digital connections between people are a very effective attempt. However, due to information overload caused by excessive connections, physical and mental fatigue caused by frequent impression management, and concerns about privacy leaks, more and more young people are tired of online social interaction. Especially in the post-epidemic era, young people are reflecting on returning to a kind of physical presence. The "rock festival fever" occurred in this context, which provided young people with a comfortable possibility to break through their own loneliness. Its social space has three main characteristics: openness of entry and exit, identity dilution, and interaction based on interest.

▪ Rock scenes are noisy, open, fluid and novel. Whether it is old acquaintances or new friends, it is often difficult to engage in in-depth communication and exchanges here. Like the "cloakroom-style community", public performances replace the "common goal" of the heavy, solid modern era, and members do not need to be responsible for each other. In a short-lived, temporary mobile community, everyone accompanies each other accurately without disturbing each other. This social model is exactly the strategy for young people to cope with the squeeze of modernity. Its lightness can not only enable young people to establish a physical connection with others and get rid of their own loneliness; it is also separated from daily life and will not form too much emotional burden.

▪ Depending on the different situations they are in, young people will choose different values ​​in their daily life and rock music festivals, such as restraint/freedom, rationality/sensibility, self-discipline/indulgence, stability/chaos, inequality/equality, suspicion/trust, popularization/individualization, etc. These contradictory identity combinations reflect the multiple possibilities of the actual content of daily life, and although they are contradictory, they may be concentrated on one subject. It balances the dullness of a single identity, that is, the choice of rock music festivals enables young people to gain a reflexive sense of control over their daily lives, and this novel embodied experience and emotional experience promotes the identity that is spoken out.


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