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instead of racking your brains to find differences, it is better to look inward and relax. of course, this requires experience and skills, but more importantly, courage and love. the true relaxation of designers is often rarely seen, which may be the reason why wang yutao is liked.

beautyberry2025 spring/summer, with the theme of fúlù, is the most straightforward way to easily open up the eyes of the chinese people. genes cannot be replaced, and fashion is interpreted with oriental thinking. wang yutao uses form to describe form, interpreting the new modern charm of oriental culture in 751d.park79.

this season, the designer used sharp lines to outline the contours of oriental people, which are straightforward and soft, restrained but uninhibited; used the freehand colors of chinese paintings to dye the fashionable atmosphere of spring and summer 2025; borrowed from the processing of traditional clothing structure, and showed the new chinese style through changes in details. the curve of the gourd is made of different materials, and the placket/hem is cut with three-dimensional cutting techniques to create a similar silhouette. the wide trouser legs are matched with the use of contrasting colors to bring out the unique charm of chinese style.

most chinese style designs are often "added". beautyberry used stitches to explain the philosophical perspective of the east. the whole venue was filled with green and vitality. the irresistible fúlù blessing was the designer's expression of beauty. the arc-shaped lines and the straight-open shape were combined, and the oriental charm was immediately apparent. the most common objects, unpretentious transformation, the charm is in it, and the meaning is beyond the taste. fan zijiao appeared in a dark gray wool coat. the three-dimensional cutting of the gourd-shaped lines echoed the pictographic shirt pattern, and the sharpness and roundness were neutralized in the walk. the ribbons on the men's clothing were floating but not messy, and the meaning of smoothness was grasped in the changes. children's clothing is more harmonious and perfect than before. tian mei appeared first in a three-dimensional sequined contrasting dress. she was smart and reserved with traditional restraint. li yiru's black three-dimensional cape showed a chinese stand-up collar, which cleverly brought out the oriental charm. the traditional abstract elegance and the western realistic sharpness were unified by the designer in the shape of fulu, with clear stitches and stable dynamic images.

in the past 20 years, beautyberry has never attached any label to itself, which makes consumers have a mysterious exploration stickiness. the style of this season, which can be called the elements of national style, is also plain and conditioned: "modern clothing is based on western vocabulary and dressing habits, but i grew up with traditional chinese education. the expression of this innate advantage is a simple and unpretentious inner catharsis." the inheritance of diversity and clever absorption will undoubtedly show the long-open chinese attitude.

occasionally, you can see gourd pendants flowing on the models. the brand's consistent relaxed and stacked style neutralizes the chinese tradition. the soft avant-garde is in the blood, expressing the new language of the moment. don't try too hard. chinese people do chinese style. you don't need to look for it everywhere. you can find it when you look down. there is no need to deliberately go back to the past. just follow the market and be as plain and delicate as wang yutao.