2024-08-13
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Beijing News (Reporter Zhou Huixiaowan) On August 13, the movie "Wish You Happiness!" released the "Everyone Wants to Win" trailer, which sparked heated discussions among the audience with a battle over the "embryo ownership" lawsuit. The film tells the story of a middle-aged couple, Luo Yu (played by Xiao Yang) and Bai Hui (played by Song Jia), who were involved in a family dispute case as a lawyer and a doctor respectively during the divorce cooling-off period, and met the plaintiff Qin Zhiyuan (played by Ni Dahong) and the defendant Xia Meiyun (played by Wu Yue). As the divorce cooling-off period ended and the court hearing was approaching, they slowly gained a new understanding of life and work. The film was produced by Yin Lu, directed by Kang Bo, written by You Xiaoying, led by Xiao Yang and Song Jia, with Ni Dahong, Wu Yue, Wu Yufang, Zhou Yiran as special guests, and Ding Jiali, Liu Dan, Liu Jun, and Liu Bater as special actors. It will be released nationwide on September 15.
In the trailer, the young couple played by Zhou Yiran and Liu Bater have been under pressure from the man's parents to give birth, but they encounter an accident after the test tube is successful, leaving only a frozen embryo. Qin Zhiyuan (played by Ni Dahong), the father who cannot accept the death of his son Qin Kewen and the transformation of his daughter-in-law Wang Ran into a vegetable, regards this embryo as his only thought and goes to court with his in-law Xia Meiyun (played by Wu Yue) to fight for its ownership. Luo Yu (played by Xiao Yang) has no choice but to take on this difficult case for the sake of his mother's pension expenses, and once again stands on the opposite side of the hospital representative and his wife Bai Hui (played by Song Jia), who is in a divorce cooling-off period.
The seemingly "farce" lawsuit hides the suffering of several families. In the trailer, Luo Yu and Bai Hui's families were already broken up due to fertility-related issues. Because of this lawsuit, the two had to face three families that were also broken up because of "fertility". Qin Zhiyuan did not hesitate to make a scene in the hospital and even in the court for the embryo, and as a mother, Xia Meiyun, the in-law, believed that the source of her daughter's tragedy was the urging of Qin's father and mother to give birth, and was full of resentment towards them. Both sides refused to give in, and the situation became increasingly out of control. In the confrontation that gradually slid into madness, everyone suffered immense torment and pain.
The film also focuses for the first time on the "embryo ownership" dispute and the topic of "losing a single child", which are very rare on the domestic screen. It truly presents the helplessness and pain of three generations of a family in this lawsuit, the attitudes and difficulties of lawyers, hospitals, parents and other parties, and directly faces the ultimate topic of life, exploring how ordinary people face sudden separations, and bringing the living conditions of "losing a single child" parents into the public eye again.
Editor: Xu Meilin
Proofread by Li Lijun