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Aisin-Gioro Puyi's handwriting is very good and he has a solid foundation in calligraphy, especially the handwriting of several teachers. His calligraphy is very powerful. For example, his banner script is majestic and has a sense of temple. His running script has the charm of Zhao Yundong's calligraphy, and his regular script is also very conventional.

This small calligraphy is titled Wang Wei's "Floating on the Han River", "Chu is blocked by the Three Xiangs, and Jingmen is connected to the Nine Rivers." The rivers are between heaven and earth, and the mountains are not there. The capital floats on the front lake, and the waves move the sky. It was a good day in Xiangyang, and I had a drink with him. "Puyi's calligraphy level has reached the pinnacle. If it were not for his status as an emperor, he would definitely become an excellent calligrapher. It can even be said that his calligraphy has reached the "ceiling" level.

This small regular script of Puyi has a very clear inspiration. It has the style of Wei and Jin Dynasties and is integrated and has reached a very high level. He has a deep understanding of the layout of dots and strokes and is very thoughtful. They are connected from beginning to end and complement each other. This alone is already remarkable. Moreover, his brushwork is also very methodical. It has a feminine beauty and a unique charm.

Puyi's calligraphy is first-rate, needless to say. Moreover, his regular script is even more eye-catching. We often see his calligraphy, but his regular script is rarely seen. This one can be said to be the best. What do you think?