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From the perspective of calligraphy history, Zhao Meng is undoubtedly a peak in the calligraphy world, an insurmountable mountain. Zhao Meng's calligraphy has always been highly praised. Many friends have achieved a similar feeling by copying Zhao Meng's calligraphy. And she is undoubtedly the most outstanding one among them. The poem "Red Cliff" is lifelike. She is known as the "modern Guan Daosheng" and is highly praised by netizens. Some people say, "This is Zhao Meng alive." Yang Yunxi, born in the 1980s, has mastered the "Zhao style". Now, let us appreciate her calligraphy together.

Yang Yunxi's poem "Red Cliff" has reached the point of being indistinguishable from the real thing. His brushwork has reached the level of perfection. He can change his strokes at will, especially when starting to write, he has brought the essence of calligraphy to the extreme, hiding the brush, starting with the tip of the brush against the tip, starting with the tip of the brush, writing smoothly like flowing water, so smooth, so smooth that even his friends will be amazed.

Every stroke is extremely exquisite, and there is an obvious correspondence and echo between the front and back, the beginning and the end. The relationship between them is precise to the extreme. The grasp of the character shape is also just right, and it is at peace with the character and shaped by the character, always maintaining a harmonious state. I believe that this kind of treatment has reached a new height. Even the change of ink color can be controlled so perfectly. This is already an extraordinary skill. It seems that calligraphy is not a simple skill, but a deep understanding of calligraphy culture, calligraphy history, and understanding of calligraphy, which can achieve the unity of man and nature.

This "goddess"-like beauty not only has her own unique insights in calligraphy, but also has extremely high attainments in Chinese painting. What do you think after reading "Red Cliff Fu"? Tell us what you think.